Bringing together ground-breaking essays from across the disciplinary spectrum, Creative Industries chronicles how culture is produced, packaged, and circulated in a technology-enabled and globalized world. This is the first systematic analysis of the challenge of the creative industries in a world where innovation and risk are requirements for both economic and cultural enterp...(展开全部)

This book explores the relationship between the management of creativity and creative approaches to management. Challenges the stereotypical opposition between ‘creatives’ and ‘suits’. Draws on the work of management theorists such as Mintzberg and Porter and creativity theorists such as Amabile and Boden. Draws on the practical experience of individuals workin...(展开全部)

This text explores the organisation of creative industries, including the visual and performing arts, movies, theatre, sound recordings, and book publishing. In each, artistic inputs are combined with other, "hundrum" inputs. But the deals that bring these inputs together are inherently problematic artists have a strong views; the muse whispers erratically, and consumer approva...(展开全部)

'The first edition of The Cultural Industries moved us irrevocably past the tired debates between political economy and cultural studies approaches. This second edition takes on new and vital targets, for example claims that the Internet is replacing television in everyday media consumption...In the process, Hesmondhalgh provides us with an essential toolkit for making critical...(展开全部)

'The first edition of The Cultural Industries moved us irrevocably past the tired debates between political economy and cultural studies approaches. This second edition takes on new and vital targets, for example claims that the Internet is replacing television in everyday media consumption...In the process, Hesmondhalgh provides us with an essential toolkit for making critical...(展开全部)

Now undisputedly a classic, the third edition of this essential media studies text scrutinizes the new and ongoing changes to the contemporary landscape of creative economy and cultural production. This edition: * Provides an all-new online reading guide to springboard students into their own research. * Includes brand new examples covering social media, digital publishing, rea...(展开全部)

安德鲁·路米斯，美国著名插画家、作家、美术教育家。他曾就读于美国艺术学生联盟。19岁时师从乔治·伯里曼学习绘画，随后发展并延伸了乔治.伯里曼的素描绘画体系，以独特的视角撰写了多本简单易懂的经典绘画教程，对当代素描教育产生了巨大影响。路米斯认为：好素描必须具有说服力和感染力。因此他从绘画原理方面训练读者，使之创造出“真实的”艺术作品。各绘画技法环节，他都主张作品应尽可能源于观察、实景写生和模特动态。正是由于其独特、着实有效的艺术理念，在他去世后很长一段时间，其绘画风格仍继续影响着一大批艺术家。

The fullest expression of the distinguished French philosopher's ideas about the meaning of life. In propounding his distinctive theory of evolution, Bergson considers nature and intelligence, examines mechanisms of thought and illusion, and presents a criticism of philosophical systems from those of the ancients to those of his 19th-century contemporaries.